Idiotarod NYC XI Photos

I went today to the excellent Idiotarod NYC XI, which the organizers describe as, "an annual event that puts a satirical creative spin on the famous and totally unrelated dogsled race in Alaska. Instead of dogs with sleds, Idiotarod NYC features costume-clad teams of people with elaborately themed shopping carts, and instead of the brutal landscape of the frozen tundra, the race takes place on the streets of New York City. It is, however, usually really friggin' cold." I was at the start at Grand Army Plaze, checkpoint #3 (Freddy's Bar), and was the only photographer on hand to capture the dramatic arrival of the first cart at the finish line. There all the carts were subjected to detailed scrutineering (bribes were encouraged and helped the process, of course). Below are some photo highlights; I have more highlights on Facebook here, and many more photos here.  

Click on any photos for a larger version:

The Vanderbilt Republic's "Spectrum II" Lighting Installation

I went down tonight to check out The Vanderbilt Republic's Spectrum II", a "Photographic Monument by Colin Bowring and George del Barrio".  It's an "analog" installation, meaning they used a bunch of ETC Source IV's, but it looks pretty cool (although a bit dimmer in person than you see here).  They are having a reception tomorrow.  I have more photos here, and here's a little making of video:

John Huntington's Storm, Show and Landscape Photography Prints On Sale Until February 1!

I post photos here on this blog when they are part of a larger story (like when I'm storm chasing), but day to day I post on Instagram, and I keep my favorite photos in a portfolio on www.johnhuntington.photography.  

I did a big update of the portfolio site today, and to celebrate I lowered all the prices on prints until February 1, 2015. Check it out!

A New Direction for AVB: Time Sensitive Networking (TSN) for Industrial Control

For many years, I've been following and have written a lot about IEEE Audio Video Bridging (AVB), an open standard way of transmitting audio and video over Ethernet using special network switches. It's a fascinating standard, but in the live show audio market, it seems to me that AVB has been eclipsed by Audinate's proprietary Dante technology, which has been meeting our needs for some time (at CityTech, for example, we've been distributing audio for our Gravesend Inn haunted attraction using Dante since 2011.)  More on that subject in my post-Infocomm writeup here.

As a result of writing these pieces, last Fall I met Greg Schlecter, Technology Marketing Strategist of Intel, who told me about new developments in a fascinating new direction for AVB, for another industry that needs precise, timely delivery of data: industrial control. This work has been under way for some time; as part of the effort, in 2012, the IEEE Audio Video Bridging standards task group was renamed to the "Time Sensitive Networking" (TSN) task group to reflect the new, larger focus of the group. And late last year, the AVB trade association AVnu Allance released more information; you can read more here on their site, in their press release here, and in a 30 minute Youtube video here.

This effort is fascinating to me since in addition to being a live sound guy, it just so happens that I wrote a book about live show applications of industrial control technologies. But what does audio have to do with industrial control, which is used in factory automation, medical devices, elevators, oil refineries and to control all kinds of machinery? AVB was originally designed to transport audio over standard Ethernet networks; to do so, it has to be able to work to a very high degree of time precision. Pro audio, for example, often uses a sample rate of 48,000 samples per second, and the precise synchronization of those samples for playback is critical for digital audio to work properly. In addition, on live shows we often have to send signals far and wide around a facility, but typically not over the internet (unless it's streamed, which is typically a different specialty). Modern Ethernet is well suited for both of those needs.

Industrial control has similar needs. For example, a factory may have large machines spread out over a facility, which also need tight synchronization. For example, if the parts of a Twinkie manufacturing facility aren't precisely synchronized, there could be a gooey mess on the floor:

Note: That footage has no audio; if you want to see a peculiar mash up of Twinkie manufacturing footage with Van Halen music, click here.

I wrote in my book about the limitations of standards, the process of standards development and adoption (excerpt here); one fascinating thing that we often see is the unintended directions standards can take after they are released into the wild. MIDI Show Control, for example, was developed to control all kinds of things on a show, but these days mostly is found connecting lighting desks.  DMX was designed for dimmers, but now controls things like video servers. And while the live show industry share of the industrial control market is tiny, sophisticated stage machinery is finding an ever-larger home in live shows, and we often use controls equipment from large industrial controls manufacturers. Big companies like Intel and GE are involved in the TSN effort, so it's possible that this will gain traction in the controls market soon, and it's possible that AVB will still end up backstage as a backbone for scenic automation systems.  Let me know if you see TSN showing up on your stage.